Professional Photographer Steve Glass

Professional Atlanta Headshot Photography

Thanks for visiting. I’m Steve Glass, and I’ve been a professional photographer in Atlanta for over 17 years. While I handle a variety of editorial assignments, 90% of my work is dedicated to corporate headshots—specifically for corporate professionals, actors, and C-Suite executives.

My Style and Services Whether you need a classic studio backdrop, an environmental office background, or an outdoor look, I tailor each session to your needs. In addition to traditional headshots, I specialize in "staged candids" and editorial portraits, providing high-quality photographic collateral for company websites and marketing materials.

Location Options I offer flexibility to fit your schedule:

  • My Home Studio: Located in Gwinnett County, is conveniently near I-85 and the Old Peachtree Road exit.

  • On-Location: I can bring the full studio experience to your office or conference location. I just need a small amount of open space, and I handle all the technical setup to minimize any admin work on your end.

Pricing and Packages

  • Studio Sessions: For sessions at my Gwinnett studio, the rate is $195. This includes the full session, a downloadable gallery of all "keeper" images, and your favorite shot expertly retouched. You can purchase additional retouches.

  • Corporate & Group Rates: For on-location office visits, pricing is based on the number of people and your specific retouching needs. I also offer a la carte retouching options for C-Suite executives and public-facing staff.

Book Your Session Ready to upgrade your professional image? You can schedule an appointment by calling or texting me at 770-374-6311, or via email at steve@steveglassphotographer.com.

All Great Headshots Have One Thing In Common

An unflinching gaze into the camera. If you are able to look into the lens with warmth and confidence, other considerations tend to fall away. You are in fact meeting someone’s gaze. A future customer, an employer, a casting director, or maybe even a future partner or spouse. You want a subtle confidence and kindness that creates approachability.

The Headshot Process

Capturing Your Headshot

A Collaborative, Results-Driven Process

Whether you visit my studio or I come to you for location headshots, I shoot with my camera tethered to a high-resolution screen. This allows us to review your images together in real-time.

During our session:

  • Expert Coaching: I provide hands-on coaching for expression and posture to ensure you look confident and approachable.

  • Real-Time Review: We make immediate observations and adjustments to improve the shots as we go.

  • Selection & Culling: We continue until we’re confident we have several "solid takes." We’ll review the gallery together and immediately eliminate any shots that don't meet our standards.

Studio Sessions: Focus on Perfection

In my Gwinnett studio, I do not limit the number of takes. I find the average person requires 50 to 100 takes to land those perfect few choices. These sessions typically last 20 to 40 minutes, but we have up to one hour, giving us the luxury of time to experiment and refine your look.

On-Location & Atlanta Corporate Headshots

When I provide location headshots at your office or event, I understand that time is your most valuable asset. Often, I am brought into an Atlanta location where subjects are balancing meetings, training, or conferences.

  • Efficiency: I am accustomed to working quickly. While I may only have 5 minutes with a subject during a busy workday, I excel at capturing professional expressions under tight deadlines.

  • Event Strategy: Conferences are the perfect occasion to refresh your team's professional imagery. If you are hiring me for a large-scale event, we can discuss a specific strategy to maximize throughput without sacrificing quality.

A Stress-Free Selection Process

Choosing your perfect Atlanta headshot shouldn't feel rushed. While we can certainly review images during our session, I find that most clients prefer a more relaxed approach.

To ensure you are 100% confident in your choice, I provide a private, high-resolution online proofing gallery. This allows you to review your images at your own pace, in the comfort of your home or office, without the pressure of a photographer waiting for a decision.

How to Select Your Headshots for Retouching:

  1. Review & Grade: Use the intuitive gallery interface to "star" or grade your favorite takes, helping you easily filter down to your top contenders.

  2. Submit for Retouching: Once you have made your final headshot selections, simply click the yellow "Submit" button in the upper right corner of the screen.

  3. Automatic Notification: My system will immediately notify me of your choices so I can begin the expert retouching process.

This streamlined workflow ensures your final professional portraits are exactly what you envisioned, delivered with the highest quality retouching standards in the Atlanta area.

Expert High Quality Retouching for Your Atlanta Corporate Headshots

I personally handle every aspect of the editing process. I believe that high quality retouching is an essential part of a professional Atlanta corporate headshot, and I am committed to staying at the forefront of the industry’s latest techniques.

A Modern, Professional Approach

The world of digital editing is constantly evolving. As Photoshop introduces new AI-driven algorithms and advanced workflows, I make it a priority to invest in high-level education. While many rely on basic tutorials, I sharpen my skills through professional platforms like ProEdu and CreativeLive. This ensures that your corporate headshots look modern, natural, and polished—never "over-processed."

The "In-Camera" Philosophy

While I offer high quality retouching, the best results start with a great capture. We strive to get as much right "in-camera" as possible. Details like grooming, shaving, and clothing fit are vital. When we start with a strong foundation, the retouching process acts as the perfect finishing touch rather than a "fix-all."

What is Included in Your Retouching?

My goal is to present the best version of you. For most professionals, a few expert adjustments make a significant difference in the final image. My standard process includes:

  • Blemish & Stray Hair Removal: Cleaning up temporary distractions.

  • Lighting & Color Balance: Evening out skin tones and enhancing local contrast.

  • Environmental Adjustments: Perfecting the background and lighting for office-based portraits.

  • Clothing & Detail Refinement: Fixing minor wardrobe issues or distracting wrinkles.

  • Subtle Enhancements: Managing facial contouring or thinning where appropriate to ensure a flattering, professional result.

By handling the editing myself, I can offer some of the most competitive rates for high quality retouching in the Atlanta area without sacrificing the premium look your brand deserves.

Fast & Professional Delivery of Your Atlanta Corporate Headshots

Once the retouching process is complete, I ensure that receiving your final images is as seamless as the session itself. I provide a comprehensive digital package designed to meet all your professional branding needs.

Your Atlanta corporate headshots are delivered via a secure Dropbox link or directly to your email, ensuring you have instant access to your files from any device. To make sure you’re ready for any platform, I provide your images in three specific formats:

  • High-Resolution Print Files: Perfect for business cards, brochures, billboards, or any physical marketing materials.

  • Web-Ready Resolutions: Optimized for fast loading on company websites, "About Us" pages, and digital press releases.

  • LinkedIn-Optimized Crop: A specifically formatted version designed to fit the circular profile requirements of LinkedIn, ensuring you look your best on the world's largest professional network.

Whether you need a single portrait for your personal brand or a full team gallery of corporate headshots, I provide the high-quality files you need to represent your business with confidence in the Atlanta market.

Tips For A Better Headshot

Your Expression

As I mentioned earlier… that unflinching gaze. Easier said than done huh? I saw some footage of Richard Avedon working with a very young Cindy Crawford. In his direction to Crawford, Avedon said, “Have a thought.” I find this very helpful. “Having a thought” Avedon explained, is giving your face something to think about. Giving your face a reason for you expression. There’s a difference between putting on a smile, and having a smile. Look at yourself in the mirror and practice! Some people don’t have to think about it. For most of us…It’s harder than you think. So seriously. Look in the mirror, meet your own gaze, a see if you can manage an expression that is warm, confident, and approachable.

The closed mouth smile is a great look. The mistake most people make is pursing their lips with a closed mouth smile. You see the skin dimple around the mouth along with marionette lines being accentuated due to the compression. It comes off like a smirk. A little cheeky. Works for some. For most it’s a smile that hides your teeth. The teeth want to come out. So if you want a closed mouth smile: practice. Most people only have one or the other. A closed mouth, or an open mouth with teeth smile. Either way, “have a thought” but have a subtle thought. Mona Lisa but more obvious. As if a fond remembrance is occurring and there is a quiet satisfaction. Or perhaps you’re conveying subtle approval to a friend. The look one might have watching their grade school child perform in a play.

Do some work in the mirror “having a thought” and see what you can come up with.

Should I Get Professional Make-Up?

First let me say: Most women do not get make-up. Most women do their own make-up. You may not need professional make-up.

I do have Make-Up Artists (MUA) I can recommend. They are experienced in applying make-up for film, broadcast, as well as outings.

The times when an MUA doesn’t work is for women who hardly ever much make-up at all. They feel they need make-up and need a professional to do the make-up since they never do make-up. Of course they’re not used to make-up so it feels awkward. They’re not use to seeing themselves that way, so they feel they look awkward. Not uncommon to have to reshoot their headshots.

For men I don’t recommend it. If you you are a woman who never wears foundation, often your everyday make-up will work just fine. Since I give you all the takes from an acting session, it can improve your yield to have professional make-up. If you’re at a point in your life where aging skin bothers you, then I say it’s worth it. Some women who are in the habit of using professional make-up simply book an MUA (Make-Up Artist) because it’s relaxing.

I do not recommend stopping by the MAC or Sephora counter on the way to me. My experience is that it’s inconsistent and tends to be heavy handed. If you use one of the folks I recommend you’re using experienced MUAs who are often on the set of movie productions. It may feel heavy handed but it won’t look that way.

If you are coming to me at my home studio I can recommend professional hair and make-up folks that will meet you at my home. I do not recommend you bring your own. They may be as good as or better than my recommendations for all I know. But I don’t know their work. I know the work of the folks I recommend. They work on movie sets and television studios. I do not mark up their services. You pay them directly. All I get in return is a well prepped subject.

I don’t think men benefit greatly from professional hair and make-up. Larger societal questions and implications aside, it’s how it is. There is a visual currency and we’re not use to seeing men with make-up in most situations. Does an experienced MUA make a man look better? Yes. But in my opinion it’s not as significant as with women.

Should I Wear A Jacket?

I think everyone looks better in a jacket. A nice jacket looks great and is slimming. Most of us are carrying excess pounds. A well tailored jacket shaves pounds off.

There are two industries where jackets seem non-negotiable. Lawyers and Finance. If you’re going to ask to be trusted with someone’s liberty or their life’s savings, people want to see that you can afford a nice suit! Just make sure of the fit.

People will say, “Well I never wear a jacket.” My response is, "Think about the picture and what will make the best headshot.” If you don’t wear a jacket make sure your shirt looks great without a jacket.

Overshirts As A Jacket Alternative

Overshirts are a great alternative to a traditional jacket. They are more affordable then jackets. They still provide those vertical lines that give can thin your body. They provide texture and dimension. Fit isn’t nearly as critical yet you should still do your best to have them fit well. Tech industry people would do well to wear an overshirt.

Men’s Ties

A lost art! I’ll give it the ol’ college try for you. I can usually tie a convincing single or double Windsor in a pinch. BUT! Don’t bunch your tie up and bring it to the session in your pocket. Spend some money on a tie that’s going to have some great fabric. It’ll take a knot better. Bring some choices. Go ahead and buy a new tie or borrow one if you need to. You’ll be glad you did!

No Tie

If you’re not going to wear a tie, make sure your shirt collar has enough structure to stand up on it’s own.

Women’s Jackets

Women seem to need much less convincing. One caveat here. A sweater is not a jacket. In my opinion you want a fabric with some structure that hangs the clothing on your frame. A well fitted jacket that hangs (versus clinging and form fitting) will shave weight off visually.

Jewelry

Jewelry is highly personal and cultural. I am reminded of a woman, easily in her late 70’s, who introduced herself as “Ellen from Yonkers”. That classic old school New York City accent. Ellen greatly over accessorized. Huge multi-rowed large necklace made up of alternating round and square pieces of wood, large earrings, oversized eyeglasses. This all made up her persona. I didn’t dare try to talk her out of it. A younger woman I might have. Here’s the thing, a headshot is not a party. People don’t have the chance to get to know you. In many ways it might be the most unfair 1/2000th second of your life. It will be a first impression for many. In my opinion you do not want to distract from your expression. Simple adornments are best. Don’t distract someone’s eye with multiple layers of necklaces, bracelets, watches, rings, and earrings. Those are all well and good and should be featured in your daily wardrobe. Come headshot day, simplify. Wrist wear usually isn’t an issue unless we’re doing “table shots” or waist-up shots.

Having said that, if you’re “Ellen from Yonkers”… by all means, be yourself.

False Eyelashes

False eyelashes can add drama to your look, but they can have a drawback. Some eyelashes block the “catchlight” in the subject’s eyes, making the eyes look lifeless. Catchlights are the “specular” highlight, the reflection of light in your eyes. 

If you plan to apply lashes for your headshot session, do a test first. If you have lights over the bathroom mirror, stand at a reasonable distance from the mirror with your eyelashes on and see if you can see the reflection of those lights in your eyes. If your eyes are dark, it’s problematic. Your eye color will not show up, and your eyes will seem dead. 

The artists I use for makeup do a great job on eyelashes. They are natural and do not block the catchlight from the subject’s eyes. If I have to, I can add eyelashes in Photoshop. I’d rather do that than try and bring life to an eyeball that has been shaded by an eyelash that is unnaturally long.

Colored Contact Lenses

I’m not a fan of colored contact lenses that replace your natural iris. I’ve never seen colored contact lenses that I thought looked better than a naturally colored eye iris. It looks fake on at least two accounts. It doesn’t go with your natural appearance and the lenses have too much detail and look fake in and of themselves. As a portrait photographer, specifically a professional headshot photographer, eyes hold an endless fascination for me. I give special care to them to make sure the viewer’s attention is encouraged to meet the gaze of the subject. When I see colored contact lenses with the embedded detail, I can’t help but think of low budget sci-fi. Nothing looks better than what God gave you! Trust me, your eyes are beautiful! No need to cover up the iris God gave you.

Types Of Headshot Backgrounds

Gray Background

The reason gray is so ubiquitous is that it works with just about anything. The density of the gray, light or dark, is simply controlled by how much light you put on it.

Environmental Headshots & Business Portraits

Using an environment can be a way to add a bit of your company culture to your shots. If you want a portrait of a key player in your company, shooting them in an environment in an editorial style is a great way to feature them.

The biggest issue is having a great environment. For some, the solution is blurring the background beyond recognition. That can work but personally I’d rather see gray or some subtle color on seamless paper. There’s a few reasons for that and as a photographer I’m sure I overthink those reasons.

If you are an individual looking to get environmental shots from me, we’ll have to talk about a location. Many folks think it’s easy to “Photoshop” or “green screen” someone into a background. Photographers most often refer to this as “compositing”. There are no composites on my website. I do them on occasion but they require some forethought. Compositing takes great care in photographing to match the lighting and color (white balance) of your backplate and subject. My philosophy is to get it as much as possible in camera. It is a misconception to think you can shoot someone anywhere, anyway you like, and plop them on any background you like. If you want a quality shot you need to give it some forethought and preparation.

Some ideas for environments are:

  • Air Bnb rooms

  • Hotel rooms

  • Does the hotel your meeting in have an area they’ll let you use for a time?

  • Shared workspace like WeWork or Spaces

  • Your home or a friend’s home that has large rooms

  • A venue on an off day might give you a deal for a few hours in a couple of their rooms

Using The View Through The Window

This is especially good if your office floor has a view through the window with an iconic view of your city. If your brand inherits some of it's gravitas from the city you operate in, it’s a great way to show your allegiance to that city and gain the prestige that comes with that city.

The downside is weather. You might have to reschedule or have a plan B. There are some instances where once I have a the “backplate” shot of your view through the window, I can shoot your folks and composite them into that shot.

Outdoors

The slideshow on my homepage has a number of examples. Most of which are done in my front yard. If you can find an area that has layers of different types and heights of greenery, you’ll get an image with dimension. For a headshot that background is a lot like clothing in the sense that you don’t someone to look at your professional headshot and say, “Wow! Where was that?” Generally speaking at least. Just like you don’t want a tie or blouse that’s so busy it distracts from your face.

Options might include a park, outdoor courtyard at your office complex, a neighborhood clubhouse with landscaping. Even a hedge row lining your parking lot can work. But the more more layers and variety in the greenery, the better the image works in my opinion. Many of my outdoor headshots for companies are in their parking lot. This is easy especially if you’re in an office/light industrial space. That is a single story office type space. For offices downtown I often meet at Piedmont Park or some other city park.

Downside of course is weather. I share the risk with you on outdoor headshots. Most often I do them in my front yard which provides the background with depth and dimension.